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MIDWINTER NIGHT : Sacred and Profane Rituals

world music theatre piece based on
winter songs from the Carpathian Mountains
an 18th century nativity show
and the carnevelesque goat songs

created by Yara Arts Group directed by Virlana Tkacz,
music directed by Julian Kytasty,
set & lights:Watoku Ueno, costumes: Keiko Obremski
projections: Mikhail Shraga & Volodymyr Klyuzko
with the Koliadnyky of Kryvorivnia
and the Lemon Bucket Orkestra
featuring: Paul Brantley, Alina, Marika and Teryn Kuzma,
Natalia Okolita, Mariko Pajalahti and Inka Juslin

December 27- 30, 2012
Thursday, Friday & Saturday 7:30 PM,
plus Sunday 2:30 PM
La MaMa E.T.C. (Ellen Stewart Theater)
66 East 4th Street, New York
tickets: $25, $20 studnets/seniors, $10 children
(212) 475-7710 or

In "Midwinter Night: Sacred and Profane Rituals," Yara Arts Group will perform a World Music Theater piece that includes the Koliadnyky, an ensemble of winter song singers from Kryvorivnia (Ukraine); the explosive Lemon Bucket Orkestra, a Ukrainian-klezmer-gypsy-rag-tag-punk super band from Canada; and an 18th century Baroque Nativity folk opera staged by Yara artists. La MaMa E.T.C. will present the piece December 27-30 in its Ellen Stewart Theater, 66 East Fourth Street (in Manhattan's East Village).

The evening, created and directed by Yara's Artistic Director Virlana Tkacz, celebrates Koliada, a winter ritual that now coincides with Christmas but is much older in origin and symbolism. Its oldest songs are preserved in villages high in the Carpathian Mountains, where the Koliada is considered to be the most important event of the year. Some people believe that spring and the harvest will not come to the village unless the songs are sung in every household. The songs are incantations that assume the magical power of words: "what is said, will be so." These songs are featured in the first part of Yara's show. For the second part of the event, Virlana Tkacz, Artistic Director of the troupe, has adapted and translated a Baroque folk Christmas opera from Ukraine. A highlight is the original 18th century music, as arranged by Julian Kytasty. The third part of the evening offers raucous Goat Songs, celebrating the passing of the old year and its rebirth as the new. A wooden puppet of a goat dances, dies and is brought back to life because people believed, "where the goat will dance that's where wheat will grow."

Instruments played by the Koliadnyky are unusual and distinctive. The trembita (Carpathian mountain horn) is made of a hollowed pine tree that has been struck by lightning and wrapped in birch bark. Trembitas are used primarily in the mountain pastures; in villages they are only used during the Koliada and at funerals. Fiddles are played in the Carpathian style. The musicians also play the duda (bagpipes made from a goat), tsymbaly (hammer dulcimer), drumby (jaw harp) and a variety of hand-made Carpathian flutes.  

The singers and musicians of Koliadnyky are from Kryvorivnia, a Ukrainian village in the Hutsul region of the Carpathian Mountains. Ivan Zelenchuk is the "bereza," or lead singer. He comes from an old Kryvorivnia family and is the son of the man whose handwritten notebook of winter songs has helped to preserve this tradition despite the persecution under the Soviet rule. Now in his sixties, Ivan considers his involvement in the Koliada his personal mission. Mykola Zelenchuk, the son of Ivan, proudly carries on the tradition of his forefathers, both as a winter song singer and the best trembita (mountain long horn) player in the village. He also makes the traditional costumes for the winter song singers. He has taken part in previous Yara productions and was featured in its "Still the River Flows" and "Winter Sun" at La MaMa in 2008 and 2010.  Mykola Ilyuk is a master fiddler and plays on most traditional instruments of the Carpathians, including the trembita (mountain long horn). He is director of the renowned Hutsul instrumental ensemble and has his own museum of musical instruments from the area. He was the master fiddler for Yara's Winter Sun and Koliada events in 2010. Vasyl Tymchuk plays the tsymbaly (hammer dulcimer) and teaches children to play Hutsul instruments. He has worked with Yara since 2010. Ostap Kostyuk plays the duda (bagpipes) and various flutes and represents the newest generation that has become expert in this ancient tradition. He was featured in Yara's Winter Sun and performed in  Yara's 2010 Koliada events. The evening will also include brilliant troista instrumental music from the Carpathian Mountains by Mykola Ilyuk on fiddle, Vasyl Tymchuk on tsymbaly and Ostap Kostyuk on flute.

The Lemon Bucket Orkestra is a self-described "Balkan-Klezmer-Gypsy-Punk-Super-Party-Band" formed in 2010 in Toronto. The 14 piece band, led by Mark Marczyk, plays a wide array of Eastern European folk tunes a la Emir Kusturica, Goran Bregovic, and Taraf de Haidouks and has recently made the transition from local offbeat busking attraction to an international folk sensation. The group has just returned from its second tour of Romania, where audiences were impressed with its high-energy, half-naked, mohawked performances of the country's traditional music. This fall, Lemon Bucket released its first CD, “Lume Lume,” and took the Ashkenaz Festival in Toronto by storm. The group has a passion for klezmer, balkan, and gypsy folk music and holds true to its signature guerilla-style performances and traditional sounds. It will perform traditional Goat Songs, taking Yara's winter celebrations to a new level.

“Midwinter Night: Sacred and Profane Rituals,” is directed by Virlana Tkacz. The set and lights are designed by Watoku Ueno, a recipient of the NEA/TCG Design Fellowship. Costumes are by Keiko Obremski. Projections are by Mikhail Shraga and Volodymyr Klyuzko, who were nominated for a New York Innovative Theatre Award for their work on Yara’s “Raven.” Featured artists in the production include: cellist Paul Brantley and vocalists, Marika, Alina and Teryn Kuzma, Mariko Pajalahti and dancer Inka Juslin.

Yara Arts Group ( is a resident company of the world renowned La MaMa Experimental Theatre, where it has created 25 original theater pieces based on material rooted in the cultures of East Europe, Central Asia and Siberia. Yara began collaborating with traditional artists from the Carpathians in 2003 and has developed performances with them in Kiev and New York. The results of this collaboration include the theatre pieces "Koliada: Twelve Dishes," "Still the River Flows" and "Winter Sun," all at La MaMa. Yara has also worked with such contemporary music groups as Gogol Bordello with whom they created "Song Tree” in 2000 and "Circle" in 1999  The Village Voice critic, Eva Waa Assantewa  then wrote: "A stunningly beautiful work, 'Circle' rushes at your senses, makes your heart pound, and shakes your feelings loose."

Photographs and videos of the koliada ritual in the village of Kryvorivnia have been exhibited at the RA Gallery in Kiev, La Galleria and Ukrainian Institute in New York, Spring Street Gallery in Saratoga Springs and as a major art installation at the Ukrainian Museum in New York.

Yara's Koliada events were made possible with public funds from New York State Council on the Arts, New York City Department of Cultural Affairs, and by Self-Reliance (NY) FCU, the Coca-Cola Company and Yara Arts Group's numerous friends and donors.

Related Events in December 2012

Nov 17, 6:30 PM
Koliada with Nina and Tonia Matvienko
created by Yara with Shumka Dancers
Jubilee Auditorium, Edmonton

Saturday, Dec 8, 7:30 PM and Sunday Dec 9 , 2:00 PM
Koliada and Music from the Carpathians
The Ukrainian Museum, 222 East 6th St, New York
(212) 228-0110

Saturday, Dec 15, 7:30PM
Koliada and Music from the Carpathians
Ukrainian League of Philadelphia, 800 N. 23rd Street, Philadelphia

About the Koliadnyky of Kryvorivnia

"In Search of the Hutsul Koliada of Kryvorivnia" by Virlana Tkacz


Virlana Tkacz on the Hutsul Koliada and Yara Arts Group
University of Alberta, Edmonton, Oct 16, 2012

Yara Works with Hutsul Traditional Music
Ethno Club at Dzyga, Lviv, Sept 11, 2012


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